The Tonys were held Sunday night, and I am pleased to announce that Edwardsville native Laurie Metcalf won best actress for A Doll’s House Part 2 - a production I did not know existed, but intrigues me. Trivia note: the Metcalf Theater on the campus of Southern Illinois University Edwardsville is named after her father, James Metcalf. Laurie Metcalf is a founding member of Steppenwolf Theater, along with John Malkovich, Gary Sinise and others. Metcalf’s win “surprised no one,” according to the New York Times.
It’s no huge surprise that Bette Midler won best lead actress in a musical, since she’s been knocking down the walls in the revival of Hello, Dolly. Best line of the night was from her (apparently quite long) acceptance speech: “I’d like to thank all the Tony voters, many of whom I’ve actually dated.” — Bette Midler
Dear Evan Hansen won best new musical, an “unflinching” look at grief and loneliness about a high school student who insinuates himself into the family of a classmate who has killed himself. It also picked up best lead actor for Ben Platt.
Best play went to Oslo, set behind the scenes of the 1993 Middle East peace accords. It defeated A Doll’s House Part 2, which follows Nora’s return to face the consequences of her decision at the end of the classic Ibsen play. Two others up for best play - Sweat by Lynn Nottage and Indecent by Paula Vogel - were penned by Pulitzer winners, so competition was fierce. Cynthia Nixon won best featured actress for The Little Foxes; look for her in an intriguing biopic of Emily Dickinson titled A Quiet Passion, which was allegedly released in April, but I have yet to see it in local theaters.
Oh, and Kevin Kline picked up another Tony for a Noel Coward piece, speaking of surprising no one. But best revival went to Jitney by August Wilson. Full details at the New York Times.
• Congratulations to author Michael Knost for receiving the JUG Award (Just Uncommonly Good) from the West Virginia Writers organization this weekend.
• RIP Adam West, who died on Friday of cancer. There was much mourning on social media, with remembrances of him as a good and decent fellow who came to terms with his typecasting as the tongue-in-cheek cheesy TV Batman.
• Steven Moffat reminds us all why we’re glad to see him go, as he tells io9 he never cast a woman as the Doctor because it never popped into his head, and of course the first idea that pops into your head is always the best one, right? Or as author Nicholas Kaufmann said, “The lesson here, apparently, is that if it takes even a smidgen of thought or effort, it isn’t worth doing.” My favorite is when Moffat insists he’s not misogynist because he’s “to the left of a lot of my detractors,” as though a liberal can’t be sexist.
Moffat can insist all the time that he’s not sexist, but I threw the remote across the room and stopped watching the show after River Song declared in mid-regeneration, “Shhh, I’m concentrating on a dress size.” I’ve since caught up to the beginning of Capaldi, and I suppose I shall have to watch the rest in preparation for the next era. But good lord, am I tired of this trope that making a woman or a person of color a central character of any franchise is “a forced political choice” or “political correctness run amok.” I've read far too many comments insisting that they should never make the Doctor a woman "just because." Perhaps instead these showrunners (and the fans) could consider that women are 50 percent of the human population, and there are a very large number of human beings of any gender who are not white? That’s not political correctness, that’s math.
• And RIP Glenne Headly, best known to me as Tess Trueheart in the 1980s Dick Tracy. She was only 62 years old, and had built a strong career on TV shows like Monk, ER and films like Mr. Holland’s Opus as well as Dick Tracy. Maybe it’s just because I was a kid then, but she’ll always be Tess to me.
• The Black Panther trailer has dropped. You know, I’m just gonna let you go see it. It speaks for itself pretty well. And because it is a day ending in Y, some people are upset about it. How many remains to be seen, but since the general reaction has been, “Oh, there aren’t THAT many racists in America, Marvel is just trying to stir controversy,” and “Disney wouldn’t support anything dark, controversial or violent,” my facepalm is reaching epic proportions. (Note: Disney /= animated fairytales only. I can’t believe I have to keep saying this.) FYI, if you want to know if there are really racists upset about this, look no further than the comments section on pretty much any article about it. Better yet, check out Denny Upkins’ look at Shuri…. and, sadly, see that Marvel has canceled World of Wakanda less than 48 hours after the trailer blew up the internet. Seriously??
• Here on the local scene, Dance St. Louis has announced its 2017-18 season with new artistic consultant Terence Marling. This year’s season includes Chicago at the Fox, The Nutcracker at Touhill Performing Arts Center, TAP Dynamics at the Grandel and more. Find out more at Dance St. Louis’ website.
East St. Louis Poet Laureate Eugene Redmond and his daughter, poet and educator Treasure Shields Redmond, will deliver readings and performances in “Black Joy in the Mourning” at the Pulitzer Arts Foundation on Thursday, June 22 at 7 p.m. They will include a discussion of many influences on their work, including Miles Davis, the 1917 East St. Louis riots, migration, and the south.
And the BND is running the annual Readers’ Choice Awards, so click here to fill out your ballot! (It’s early on, so you may have to nominate some of your favorites.)