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November 2019

That's a wrap!

Your friendly neighborhood CultureGeeks have been busy, folks. 

It just so happens that frequent contributor Rahul Menon is a film director. He's been writing and directing short films as he finishes his masters degree here in sunny Illinois. We're happy to report one of Rahul's shorts, Cowbot, won a best in category award at an international film festival just a few weeks ago. (Your humble blogger provided a voiceover, and thus begins the 15 minutes.)

Today was the final day of shooting for Rahul's latest film, The Final Act. Shot here in sunny Edwardsville, Illinois, it stars (among others) CultureGeek contributor Ian Smith, and I'm a nameless extra despite my best efforts to duck the camera. It's a half-hour film about the waning days of an actor succumbing to alcoholism. 

We're all very excited for Rahul's latest effort and Ian's film debut, and we'll be sure to share it here once it's released. 


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John Williams, live in concert in St. Louis

Some twenty odd years ago, a boy in India was watching his first-ever Hollywood movie in a theatre, and that movie was Jurassic Park.

He had no idea that the island of Isla Nublar wasn't real, he had no idea how these dinosaurs were made, he had no idea who Steven Spielberg was, he had no idea that few years down the line he was going to fall head over heels in love with the entire art and process of filmmaking, and he most definitely did not think he would ever get a chance to see the John Williams play the Jurassic Park theme live.

It's impossible to talk about Jurassic Park, and not talk about John Williams, easily one of the greatest film composers the world has ever heard. The movie wouldn't have been what it is without the support of Williams' soaring score. The world raved about the special effects team that created the dinosaurs, but they lived and breathed because of John Williams' remarkable score.

And that has always been the case with his compositions: they breathe life into the characters, situations, and every single frame of the film. Even when the score was being played live without any accompanying visuals, I could still see Sam Neill and Laura Dern getting out of their jeep and seeing the dinosaurs for the first time. It still gives me goosebumps and makes me emotional, and I'm sure it always will.

John Williams is responsible for some of the most iconic and beloved scores ever composed. There's no way I can't mention the moment when he finished playing Princess Leia's theme, turned around looked at all of us, smiled, winked, and then turned back, waved his magical hands to conduct the Star Wars theme, and transported all of us to a galaxy far, far away in an instant.

Even the stories he told before each track were magical. "I saw Daisy Ridley, and instantly I was in love with her. She's 10 years younger than my youngest grand-kid. So, then I went and composed Rey's Theme for her."

"Now this one's for my dear friend Harrison Ford," "I composed Leia's theme thinking Luke and Leia are going to fall in love with each other, I didn't know what George had in his mind. I only got to know about it 3 years later! So I composed another theme for them."

"Steven and me have been working together for almost 45 years now, that's quite a relationship. Pheww!" (Paraphrased.)

Williams' score conveys exactly what the on-screen characters feel, and what most audience members are feeling at that moment when they are watching those visuals play out. His soundtracks, just like most of the movies he's worked on, will live on forever in all our hearts and memories.

You haven't really lived until you've cried to the Jurassic Park theme conducted live by John Williams. So thank you to the St. Louis Symphony Orchestra for bringing this legend to us, and thank you John Williams for gracing us with your legendary presence.

 

Rahul Menon was born and raised in New Delhi, India, and currently lives in Illinois. He is an assistant director, screenwriter and occasional actor, as well as a computer science engineer who worked as a software analyst and in advertising and marketing prior to entering the film industry. His screen debut was as screenwriter and assistant director of Saayanna Varthakal (Evening News) in 2018. He is currently pursuing a masters degree at Southern Illinois University Edwardsville. FacebookInstagramIMDB.


TheaterGeek: Dear Evan Hansen

An year ago when I landed here, I had three musicals on my bucket list, whose music has resonated and connected with me in some form.

They are three of the most incredible musicals that have come out in the last few years, have pretty much hogged all the major awards, and have been fan and critic favourites. Having already seen Hamilton and Come From Away, I was eagerly waiting to check-off the third one on that list: six-time Tony-winning Broadway smash, Dear Evan Hansen.

Hansen

Dear Evan Hansen is a story about a lonely teenager who inadvertently becomes a social media sensation and a symbol of kindness, a performance for which Ben Platt very deservingly won the Best Actor award. This is one of those rare Broadway musicals not derived or inspired from any other source material, which is refreshing in itself.

Even though the story of a teenage suicide and a lonely teen caught up in a web of self-devised deception has its sad aspects, Dear Evan Hansen is anything but a downer. The feelings it stirs are cathartic expressions of a healthy compassion for Evan’s efforts to do some good in life, which all of us can relate to, and his anguish that he may be causing more pain than he can cure.

Benj Pasek and Justin Paul of La La Land fame have written such haunting lyrics and score, that it sledgehammers its way into our heart. The majority of the songs are soft melodies, reflective ballads, with guitar and strings leading the way, they are varied and gentle, with each of the songs opening up a window that gives a new perspective on the characters and their predicaments.

Dear Evan Hansen should appeal to just about anyone who has ever felt, at some point in life, that he or she was trapped “on the outside looking in,” as Evan says it in one of the songs – which, to be honest, is just about each and every one of us.

Just like the poster says, Dear Evan Hansen most definitely is one of the most remarkable shows in musical theater history. 

 

Rahul Menon was born and raised in New Delhi, India, and currently lives in Illinois. He is an assistant director, screenwriter and occasional actor, as well as a computer science engineer who worked as a software analyst and in advertising and marketing prior to entering the film industry. His screen debut was as screenwriter and assistant director of Saayanna Varthakal (Evening News) in 2018. He is currently pursuing a masters degree at Southern Illinois University Edwardsville. FacebookInstagramIMDB.