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Linkspam

There will be a separate review pending for BLACK PANTHER, which I don’t seem to be able to discuss without all-caps, once I see it for a second time.

For now, the shorthand is: a) amazing movie, even if you don’t follow the MCU; b) while having seen Avengers: Age of Ultron would be helpful, it is not vitally necessary to understand the plot; and c) it might be the most feminist movie of the last ten years, and I only say “might” because Wonder Woman’s protagonist is actually a woman. Go see this movie - hey, catch a flight to Wakanda.

Lucianovecchio
This amazing piece of art is from Luciano Vecchio. https://www.facebook.com/artoflucianovecchio/

In spoilerland…. Here’s an interesting take on what didn’t work in BLACK PANTHER (hint: it wasn’t much) from The Verge. Smart analysis is abounding as long as you stay out of the Idiot Corners of the Internet.

Meanwhile…. before you get all het up about the headline, understand what Variety is talking about with “After ‘Black Panther’ and ‘Wonder Woman,’ It’s Time for the Myth of the Fanboy to Fade.” It’s about Hollywood still pretending that young white males are the only ones with money who go to the movies. And before you insist, “Money talks!” read the article. Or, y’know, check out BLACK PANTHER’s current box office.

Likewise, you might know Danai Gurira as Michonne of The Walking Dead or now as the fearsome and amazing Okoye. But she’s also a Broadway playwright. She wrote Eclipsed, an intense drama set during the Liberian civil war starring Oscar winner Lupita Nyong’o; and Familiar, the story of a family of Zimbabwean immigrants preparing for a wedding, which was performed at Yale Repertory and Off-Broadway.

When you see it? Stay all the way through the credits. I mean, you know that, because you’re geeks. But I saw people getting up to leave after the first post-credits scene. Rookie mistake.

• Speaking of the Panther crew, Avengers: Infinity War is premiering a week earlier than planned, on April 27. Check out io9’s report for the hilarious, cheeky Twitter exchange between Robert Downey Jr. and Marvel in announcing the move. (Likely this is to give more space to Solo.)

• Writers of color: the Voices of Our Nations Arts Foundation is hosting workshops for travel writers, particularly black women. Check out VONA’s applications here.

Calling all Disney Nerds! If you’re like me and your house is basically a tribute temple to the Mouse, you have a new destination in Downtown Disney at Disneyland. Disney Home is a a home-decor store entirely focused on Disney home goods. Beauty and the Beast plates and cups, Neverland kitchen towels, Minnie-bow canisters, Mickey teapots… wait, where is the online component, because WANT. What do you mean, there isn’t one??

• A very rare 1820s copy of the Declaration of Independence was found… no, not with Nicolas Cage. Behind wallpaper. Okay, technically it was behind wallpaper for a while, then later sat in a broken frame behind a cabinet in a dusty office. And it’s in better condition than the original. Everything bad that could have happened to the original has happened, according to the article, which explains why it was practically unreadable when CultureGeek Jr. and I saw it. Still, he describes it as an incredibly moving experience.

Dolly Parton donates her 100 millionth book, deemed by Mashable as the last good person left in America. Parton’s Imagination Library sends free books to children from birth to starting school; she says she was inspired by her father’s illiteracy. She has also donated more than $8 million to the people left homeless by Tennessee wildfires in 2016.

• Here’s a Washington Post profile of actress Laurie Metcalf, native of Edwardsville, Ill. and a working actress for 40 years before she’s suddenly a finalist for the Oscar. She won a trio of Emmys for Roseanne and is inexplicably returning for the misbegotten revival, as she claims her Tony for Nora in A Doll’s House Part 2 and awaits Oscar night for Ladybird.

Meanwhile, Barbra Streisand gives a rare interview, two hours discussing what it was like to battle sexism in Hollywood before it was trendy. She was the first woman to star, direct, produce and co-write a major studio film, and also the first woman composer to win best song at the Oscars in addition to her collection of Emmys, Grammys and acting Oscars. She was overlooked as director over and over even when her Prince of Tides was nominated for best picture, so it was a bit of “sweet justice” to present Kathryn Bigelow with the director Oscar for The Hurt Locker, still the only woman director so honored. There is exactly one paragraph in Variety’s long spiel about her dogs, but guess what part of it is trending? *headdesk* There are more trails left to blaze.

Netflix will have 700 original series online in 2018 - that’s not a typo - and spend $8 billion on content. In addition, they’ve greenlit 80 original movies. Variety details their strategy for world domination.

• On Friday the 13th, you may be allowed to tour and camp at the filming location of Friday the 13th. It’s usually a Boy Scout campground - try not to think too hard about that - and has only opened to the public five times. You’ll also get to meet original Final Girl Adrienne King. Victims must be at least 15 to visit and 21 to stay overnight.

Freelancers owed collectively $80,000 by Ebony Magazine will be paid in full under a settlement announced this week by the National Writers Union, representing 45 freelancers who were not paid by the new owners of the iconic African-American magazine. In short: freelancers actually win against a major corporation. Really?

Hogwarts fans, here’s something to empty your bank account. I want!

 

RIP

Bud Luckey, writer, animator and composer best known for classic animations on Sesame Street in which he wrote the songs, drew the animation and provided the vocals. Outside Sesame Street, he did design work for Pixar on Toy Story, Monsters Inc., Finding Nemo and more, and wrote (and performed) the Pixar short Boundin. He voiced Chuckles the Clown in Toy Story 3 and Eeyore in Winnie the Pooh.

• Actress Emma Chambers, 53, best known for The Vicar of Dibley and Notting Hill.

 

Trailer Park

Chappaquiddick released its final trailer “based on the untold true story.” I’m not sure any part of that story remains untold after all these years, but I’m interested nonetheless.

• If you liked Michael B. Jordan as Killmonger, think about catching him in his next role: HBO’s remake of Fahrenheit 451. The trailer is far more disturbing and intriguing than the original film, in my opinion, and quite relevant.

 

Coming This Weekend

• The wildly irresponsible Death Wish, because what we need in America is a pissed-off shaved-bald white guy loaded down with weapons shooting at people who may or may not be criminals. I could expound further on how I feel about the trailers for this movie, but my blood pressure can’t take it.

Red Sparrow, which intrigues me since I liked it pretty well when it was titled La Femme Nikita or Point of No Return. Also Jennifer Lawrence, who is pretty much awesome in everything she does.

They Remain. Two scientists look for biological samples in the former site of a Manson-style campground, which may or may not be haunted, which may or may not cause insanity in our heroes. Wackiness ensues. Interesting visuals, but it has gotten zero buzz.

 

Continuing:

BLACK PANTHER (duh), Game Night, Peter Rabbit, Annihilation, Jumanji, Fifty Shades Freed, Every Day, The Post (limited), The Shape of Water (limited), Early Man, I, Tonya (limited), Den of Thieves, Star Wars: The Last Jedi (limited).

 

Next weekend is Midsouthcon, so if you're in the Memphis area, stop by and visit with your Friendly Neighborhood CultureGeek! I'll be on several panels regarding the horror genre with uber-editor Ellen Datlow, attempting not to fangirl too much. There may not be a Linkspam until I get back, so lay chilly! 

 


Linkspam: Barnes & Noble's 'Red Wedding,' the latest sexist rats, and BLACK PANTHER!

In what blogger Audrey II (great name) called the Red Wedding of corporate moves, Barnes & Noble appears to have committed slow-moving suicide, and I don’t think she’s exaggerating.

Bloodless business news squibs buried under a mountain of awful in this news cycle reported that B&N launched a round of layoffs that would save $40 million from the company. Exact numbers weren’t available, but its SEC filing reported the cuts as “a new labor model… that has resulted in the elimination of certain store positions.”

Yeah, if that corporate-speak didn’t strike fear in your heart, try reading Audrey II’s take on it, which seems much more comprehensive. (I tried to determine her real identity, but she’s pretty well locked down. Too bad, I wanted to give her credit for her analysis, which beats the hell out of Publisher’s Weekly’s recounting of the SEC filing.)

Basically, Barnes & Noble laid off every full-time employee. Every lead cashier, every receiving manager, every Nook problem-solver, every newsstand lead. That “new labor model” seems to be “cheap part-time minimum-wage labor for the death knell of the company.”

Worse, allegations abound that the full-timers were told their jobs were safe, that the positions would be eliminated through attrition. As leads left, they would not be replaced, but no one would be laid off. That ended Monday when they were fired anyway - lifetime employees. No notice. When, exactly, did companies decide that it’s better not to give workers a chance to start their job hunt while still employed and give them whatever notice they can so they can plan their major life decisions with all the facts?

Read more about how B&N cut staffing during the holidays, which drove annoyed customers online; and how ship from store meant stripping the shelves, which further annoyed the customers who did come in for a real-live bookstore experience. That probably affected sales somewhat.

Audrey II makes a strong argument that this is the behavior of corporate pirates looking to strip the company’s bones bare before the inevitable bankruptcy, not a company trying to rebuild and save the store. It’s hard to argue that she’s overreacting, when B&N paid $14.5 million in bonuses to two CEOs (not two categories; two guys, one of whom had been CEO less than a year) while cutting 1,800 employees for $40 million.

You won’t find astute analysis in the business pages this week. The closest you’ll come is a single line at the end of Fortune, speculating that B&N’s top investor is urging a sale of the company. Everyone else basically reprinted the SEC filing and no-comment from B&N corporate. Instead, I’d say read the anonymous Audrey for a better look at what the slow suicide of Barnes & Noble means for all of us in the book biz. Spoiler: It’s not great.

For the record: I wrote this in a Barnes & Noble, and I’ll buy something besides coffee on my way out. Corporate or indie, no one benefits from closing the doors of a bookstore. In this world of ignorance and foolishness, functional illiteracy and TV-deadened imaginations, we need every book.

• This week on (Alleged) Sexual Predators R Us: It’s Scott Baio, Jay Asher (author of Thirteen Reasons Why), Guess co-founder Paul Marciano, and Olympian Shaun White, who decided to distract everyone from his sexual harassment allegations by avoiding female reporters and accidentally stepping on the U.S. flag. Oops. Do yourself a favor: Don’t read any comments. EVER. In the meantime, SAG-AFTRA has established a code of conduct regarding sexual harassment. Let’s see how that goes…

• Speaking of stupid comments, NBC commentator Bode Miller put his foot in it with what he calls a joke, and I’d call a rotten, sexist comment that he later backtracked to call it a joke in the hopes of not looking like a rotten sexist. Basically, according to Bode, women who get married crash and burn because they have husbands to distract them. He’s very sorry.

• I love it when something really awful comes out that gives all the critics a chance to crack open the thesaurus for colorful metaphors on how bad it really, really is. Like 50 Shades Freed is an ignorant, poisonous anti-feminist hate anthem. Funniest take: Fifty Shades Freed: A Spoilereview. “They have sex on the table. Ana giggles. Look, I’m all for having fun during sex, but if I were Christian I’d be concerned about the fact that Ana giggles every time he drops trou.”

• Female and female-identifying horror screenwriters: check out an open call for a filmmaking residency in Bruges, Belgium! And speaking of #WomeninHorrorMonth, here’s nine short horror films by women you can watch online. And as a bonus: Mary Shelley’s handwritten manuscripts of Frankenstein can now be viewed online.

Bill Paxton’s family is filing a wrongful death suit against his hospital and surgeon, alleging that the surgeon concealed information from them and was unqualified for Paxton’s heart surgery. He died days later of complications from the surgery, at age 61.

• Tyquan Vonricco Washington, nephew of singer Fantasia Barrino, was shot and killed Tuesday in North Carolina. A suspect is in custody, charged with first-degree murder. Barrino is the Season 3 winner of American Idol.

• If you were wondering why they canceled Sex and the City 3, here you go.

 

RIP

• Science fiction author - and my friend - Victor Milan, dammit. Vic died Tuesday of pneumonia as a complication of myeloma, and fuck cancer. Sorry, folks, ye olde blogger cannot be objective as we continue to lose our mentors. Here is my personal obituary of Vic, with all his many accomplishments, and may he walk with the dinosaurs.

John Gavin, actor in Psycho and Spartacus, age 86. He was this close to playing Bond until Sean Connery decided to come back, and served as SAG president. You know him best as Julius Caesar in Spartacus and Sam Loomis, boyfriend of Janet Leigh’s doomed Marion, in Psycho. Later in life, he served as the U.S. ambassador to Mexico.

 

Trailer Park

Sneak peek footage of Incredibles 2 aired during the Olympics!

Yet another preview of Ready Player Onewith even more Easter eggs and the theme from Willy Wonka. 

 

Coming This Weekend

Panther

BLACK PANTHER. What, you think I can talk about this one in anything but all caps? Warning: review contains spoilers. CNN gets it: “More than a movie, ‘Black Panther’ is a movement.” Meanwhile, Octavia Spencer will buy out a theater in Mississippi to help low-income people see the movie. Needless to say, your friendly neighborhood CultureGeek will be in attendance.

Then I Knew, a news-vid documentary produced by the News-Democrat’s Cara Anthony on the moment people of color realized the impact their race would have on their lives. Soft release a couple of weeks ago; go check it out.

Early Man. The Chicken Run crew aims for prehistoric shenanigans. Currently running 84 percent on Rotten Tomatoes, which frankly surprised me.

Samson, starring the werewolf from Twilight as a variation on Conan. Any resemblance to the actual Biblical story is entirely coincidental. (At least from the trailers; no critics have reviewed it yet, which generally is not a good sign.)

Continuing: Winchester (which I’ve reviewed here), The Greatest Showman, Fifty Shades Freed, Peter Rabbit, The 15:17 to Paris, Jumanji, Maze Runner #47, Hostiles, The Post and The Shape of Water.

 

Happy Wakanda-Weekend! 


Linkspam

Confession: I hate Heathers. Its popularity baffles me.

Even pre-Columbine, I couldn’t find any humor in a psychotic teenager who kills his classmates and fakes suicides. Or the hilarity of heartbroken, grieving parents, using sexuality as blackmail, bullying and fatshaming, suicide contagion and other delightfully raucous fun. With bonus terrorism and mass murder!

Now we have a remake-as-series, which flips it so the vicious bitchery ruling the school belongs to people whom the 80s Heathers would have considered the freaks: plus-size, genderqeer, black, gay. But it’s the white slim heterosexuals to the rescue! Wait, what? OnstageBlog called it “The Alt-Right’s Glee.”

(Of course, OnstageBlog also called the original film “a driving force in the birth of third-wave feminism,” as well as praising its look at body positivity and sexuality, so I can only assume they were watching a different movie than I was.)

So… we’re going to get a TV series where the conventional cisgender kids systematically kill, harass, torment and frame the LGBTQ and minority kids? And this is… funny?

OnstageBlog made a good point, that while the showrunner insists these marginalized groups may be the popular kids today - and the horrifying rate of LGBT teen suicide and homicide belies that - they might have chosen to make a show about THAT and not one where the “normal” kids mix up a Drano cocktail for them.

Because that’s… funny?

Oscars were announced, and Wonder Woman was snubbed. Visually impactful, well-acted, socially relevant themes, groundbreaking in many ways… but not as Oscar-worthy as yet another World War II drama starring white men. (Which one do I mean? Take your pick; two of them are nominated and several slots left open.)

The Mary Sue nailed it: “At this point, we all know what an Oscar-bait film looks like: a historical drama helmed by a white man, filmed with self-conscious gravitas.”  Let’s discuss diversity for Latinx while we’re at it.

If not best picture, how about best director? Patty Jenkins overturned every expectation on Wonder Woman, a movie even the studio thought would flop and instead changed the entire subgenre. There’s been a lot of discussion on this, with mostly men saying, “Yeah, it was good and all, but Oscar?”

And a lot of women shouting, “Do you understand what that movie MEANS to us?” We are half the human population, and the movies speaking to us are damn few.

Mary Sue pointed out that Wonder Woman was a profoundly female film with a heroine who fights because she believes in the essential goodness of humanity, while Logan is a “hyper-violent film about a disillusioned man in a Western-inspired dystopia.” Guess which one got a nomination.

Meanwhile, progress is made, however slow. Greta Gerwig is nominated for Lady Bird, and Jordan Peele for Get Out. They are the fifth woman and fifth African-American to be nominated for best director in 90 years. Also breaking barriers: Rachel Morrison is the first woman EVER nominated for cinematography (Mudbound). Daniel Kaluuya nominated for best actor for Get Out, and if you want to see his face at the announcement, click the meme roundup from Time.

(Seriously, check out the memes. Love it. As I also love this ad for the Oscars where poor Jimmy Kimmel is haunted by last year’s best-picture error.)

Meanwhile, The Shape of Water is leading the nominations. I will reserve judgment until I finally see it, but frankly, the promos didn’t interest me until everyone I know started singing its praises. Logan is nominated for adapted screenplay, the first comic book movie to gain that recognition. The Post got best picture and of course Meryl Streep, but no best director for Steven Spielberg and nothing for Tom Hanks.

Also snubbed: We saw only a few tech noms for Beauty and the Beast. I wasn’t about to put it up for best picture, but the cinematography was amazing and I frankly expected a best song nom, if only because the pickings were slim this year and Alan Menken knows what he’s doing. Still, “Evermore” just isn’t in the same category as “If I Can’t Love Her.” Which couldn’t have been nominated. Dammit.

Mudbound got a few noms for acting, screenplay and song, but fell short of best picture. Scuttlebut is that the Academy thinks it belongs in the Emmys because it’s produced by Netflix, even though it was released in theaters. Did we need further evidence that the Academy is stuffy and slow to adapt to the changing world? Nah.

Also… The Boss Baby? Really?

• It may be exceedingly local, but I think it’s nifty that poet Tiana Clark is joining the SIUE MFA program for creative writing. Clark is a Gwendolyn Brooks Award winner, among other awards and honors, and a graduate of Tennessee State and Vanderbilt. The new MFA program at the university is growing by leaps and bounds.

Early reviews of The Alienist are mixed. I fought my way through the novel, which was very interesting but a bit draggy in the middle of its 600 pages. It’s basically Criminal Minds: Victorian-Era New York, if I recall correctly, and a number of somewhat-interesting secondary characters involved in an intriguing mystery. Of course, I thought it should be a movie, but apparently all movies are now TV shows or miniseries and I’m old.

• The Producers Guild of America has a code of anti-harassment rules. Somehow, nobody has ever actually used them on the set of a major motion picture. Until now: Wonder Woman 2 will be adopting the anti-harassment code, after the departure of Brett Ratner as producer following allegations of sexual harassment including involuntary outing of Ellen Page during production of X-Men: The Last Stand. WW star Gal Godot apparently stated she would not return unless Ratner was out.

• Speaking of harassment, MPR News completed a long-running investigation into Garrison Keillor that ought to put rest to the ongoing belief that he lost his job just for accidentally touching a woman’s bare back.

Neil Diamond is retiring from touring after a diagnosis of Parkinson’s disease. At age 76, Diamond was in the middle of his 50th anniversary tour when diagnosed. Dozens of gold and platinum records, 56 singles on the top 100 Billboard, nominated for 13 Grammys (only winning once, not including this year’s upcoming lifetime achievement award).

• I’m sure we’re all saddened that Holmes & Watson is being delayed from summer to December for release. Wait, you never heard of it? Me neither, and after seeing that it is written and directed by Etan Cohen and stars Will Farrell as Holmes and John C. Reilly as Watson, I think I’m out. Guys, there was a good bit of humor to RDJ’s take on Sherlock, but that doesn’t mean Holmes is slapstick-stupid. I don’t mind parody and love well-written satire - see Clue or Galaxy Quest for examples - but dumbing Holmes down to Farrell-Reilly level is not in my wheelhouse.

Speaking of bad ideas: among the movies now slated for 2018 releases is Slender Man, attempting to exploit a real-life horrifying attempted murder of a teenage girl by two mentally ill classmates for cheap slasher thrills. I’m not even linking to the film.

 

RIP

Ursula K. LeGuin, 88, whose works “plucked truth from fantasy,” so sayeth NPR. More than 20 novels and piles of short stories, delving into class divisions and feminist theory through science fiction and fantasy. Here, read her National Book Award speech about the importance of books - of art - as more than a financial commodity.

“Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now, can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine real grounds for hope. We’ll need writers who can remember freedom - poets, visionaries - realists of a larger reality.”

Jack Ketchum, 71, dark horror writer mentored by Robert Bloch. His work was not for the faint of heart - try Off Season and see if you can make it through - but the man born as Dallas Mayr was one of the best at scaring the bejesus out of you. As one commenter put it, “Off Season makes the clown from It cry for its mommy.” Or as author Jeff Strand put it, “RIP to one of the very best, Jack Ketchum. Now at peace, which is more than you can say for any of his characters.”

Jeremy Inkel, 34, musician with Front Line Assembly since 2005. Complications of asthma, according to his father. Previously played for Left Spine Down.

• Jazz trumpeter Hugh Masekela, 78, activist against apartheid and the “father of south African jazz.” His “Soweto Blues” became synonymous with the anti-apartheid movement.

Naomi Parker Fraley, 96, but you know her as Rosie the Riveter from the famous poster. Read the link for a long history of this image, which became much more than a war promotion. Fraley worked at the Naval Air Station in Alameda in the machine shop. After the war, she was a waitress, later married and had a family, and her identity as the inspiration for Rosie the Riveter was unknown for decades due to a mis-captioned photo until 2011.

Connie Sawyer, 105, the oldest working actress in Hollywood. Her credits range from The Mary Tyler Moore Show to Murder She Wrote to Seinfeld to NCIS: Los Angeles. She was one of the documentary-couple women in When Harry Met Sally, among her 144 credits, where she often played the snarky old lady in show after show after show.

 

Trailer Park

Deep sigh. The next trailer has dropped for Pacific Rim Uprising, which does nothing to tell me I won’t have exactly the same issues with the sequel as I did with the original. Yet, since I am married to the biggest kaiju fan in the western hemisphere, I shall be dragged to it, kicking and screaming.

• Netflix dropped the trailer for its new crime anthology Seven Seconds, which apparently looks for human stories behind the headlines of modern-day crime. It appears to be a single case per season, I think? And it’s starting off with a doozy.

 

Opening this weekend:

The Maze Runner: The Death Cure - 43 percent on Rotten Tomatoes

• Hostiles - 72 percent on Rotten Tomatoes


Linkspam

I could keep listing the latest people revealed to be sexist, harassing assholes in the arts - or at least accused of such - or I could just keep repeating, “Tom Hanks is still a nice guy.”

So, apparently, is Robert Redford, as he spoke at Sundance Film Festival this week and said “the role for men right now is to listen.” Sundance is hitting the controversies hard this year, including Monsters and Men, a racially charged police killing drama; Tyrel, about a man who panics when he realizes he’s the only person of color on a weekend trip; the dystopian science-fiction comedy Sorry to Bother You; a reimagining of Hamlet from Ophelia’s perspective starring Daisy Ridley; and a documentary titled Half the Picture about the systemic discrimination of female filmmakers. Plus Our New President, which is about.. exactly what you think.

• Oh boy! I can’t come up with a better headline than the one AV Club did for this piece: “Some absolute maniac made an interactive map tracing all the jumps from Quantum Leap. Now I want to go watch me some Scott Bakula good deeds.

• The richest man on earth is raising the rates for Amazon Prime, but it only affects those who pay month to month. If you pay for Prime on a monthly basis, it’s going up from $10.99 to $12.99, or $156 a year. Ouch. That’s an 18-percent increase for folks who pay monthly, which is largely lower-income consumers. Annual memberships are still $99 a year (which used to be $79 a year, and don’t think we’ve forgotten, Mr. Bezos.) Meanwhile, low-budget content such as One Mississippi is out, as is indie film development, in favor of big splashy blockbusters.

• For those of you who still can’t get over it, Rian Johnson tells us exactly how Leia did what she did in The Last Jedi. I’m not getting into this again, because I can explain it perfectly fine myself a hundred times and the screaming is going to continue. Sigh. By the way, one asshole created a self-described “chauvinist cut” that edits out all the women in the movie. Is it me, or is this crap getting worse?

• But… but… Chris Hemsworth’s contract with Thor is done, and said that as far as he’s concerned, he won’t be playing the god of thunder again. io9 seems to think he’s putting out feelers about coming back, but we should wait and see how Avengers does…

• We try to stay out of the real world here in CultureGeek Land, but The Final Year is starting to make noise as a documentary about the last year of the Obama administration. It seems they let a documentarian follow them around through the trials of 2016 and the work of Secretary of State John Kerry, U.N. Ambassador Samantha Power and Deputy National Security Advisor Ben Rhodes around the world as they advised Obama - including their reactions to Trump’s win in November.

• Happy *gulp* 25th anniversary to Star Trek: Deep Space Nine, arguably the best-acted, most well-written of the Trek series (and my favorite by a nose). If I could just get my mind around the idea that it’s been a quarter century since the premiere…

• Speaking of Trek, Discovery has been nominated for outstanding drama series in the 19th annual GLAAD Media Awards. It faces Billions, Doubt, The Handmaid’s Tale, Nashville, Sense8, Shadowhunters, Star, This is Us and Wynonna Earp.

Star-trek-discovery-choose-your-pain-002

• Looks like Black Widow is finally getting her own movie, though the nature of that movie is still pending. Naturally speculation has already begun. As for me, I side with Keith DeCandido in his rooftop yell of “It’s about fucking time you goddamn imbeciles!”

Keira Knightley talks up her new movie Colette, while tackling #MeToo head-on. “What’s been really interesting is that it’s not just this industry - it’s in every industry… What was fascinating about the #MeToo movement was I was sitting with friends who weren’t in the industry, and there wasn’t one of us who hadn’t been assaulted at some point. We’d never had that conversation before.”

Highlights (or lowlights) of the SAG Awards include Gary Oldman (Darkest Hour) beating out Daniel Kaluuya of Get Out for best lead actor. I…. might have issues with that choice. At least they didn’t classify it as a comedy?

Frances McDormand took leading actress for Three Billboards Outside of Ebbing, Missouri, while I would have bet my money on Sally Hawkins for The Shape of Water, based on buzz alone. Three Billboards also picked up supporting actor for Sam Rockwell, even though Woody Harrelson was nominated for the same movie and that often splits the vote. Allison Janney received supporting actress for I, Tonya, surprising many who had bet on Laurie Metcalf for Lady Bird.

Three Billboards also got best cast, which lends credence to the Oscar Buzz. Wonder Woman won best action performance by a stunt ensemble, which is a weirdly specific award.

In TV Land, the lead acting awards went to Alexander Skarsgard and Nicole Kidman of Big Little Lies. The interesting part of this isn’t the winners, but the lineup of nominees. For men: Benedict Cumberbatch, Jeff Daniels, Robert De Niro and Geoffrey Rush; for women: Jessica Lange, Susan Sarandon, Reese Witherspoon and Laura Dern. These are for TV movies, folks. All the star power is going to the small screen.

For ongoing dramas, Sterling K. Brown wins for This is Us (no surprise) and Claire Foy for The Crown - a bit of a surprise, given the buzz around Millie Bobby Brown of Stranger Things and Elisabeth Moss for The Handmaid’s Tale. In comedies: William H. Macy for Shameless, Julia Louis-Dreyfus for Veep. This is us won best ensemble - again, no shock; Veep best comedy and Game of Thrones defeated Homeland, The Walking Dead and Stranger Things for action ensemble.

• I cannot endorse this column in Book Riot, because you should never stop buying books! However, I can certainly relate to “hoard[ing] books like Smaug hoards gold.” My husband agrees with the sentiment as it applies to me, but disagrees with my pronunciation of “Smaug.”

 

RIP

Sue Grafton, author of the Kinsey Millhorn mystery series, died tragically one letter short of her alphabet-based series. Beginning in 1982 with “A is for Alibi,” Grafton was part of an insurgence of female-centered detective novels, which was to end next year with Z is for Zero. However, cancer took her just before New Year at age 77. Her daughter wrote, “As far as we in the family are concerned, the alphabet now ends at Y.”

Dolores O’Riordan, lead signer of the Cranberries, died suddenly Jan. 15 at age 46. No word yet on her cause of death, but she had struggled with illness and chronic pain. O’Riordan was the band’s chief lyricist and co-songwriter as well as lead singer.

Jerry Van Dyke, four-time Emmy-winning actor of Coach and many other shows, died Jan. 5 at age 88. His health had deteriorated since a 2015 traffic accident. Younger brother of Dick Van Dyke, Jerry was best known for Coach, but also performed on stage and in guest appearances on many sitcoms.

• Star Wars actor Alfie Curtis, best known for playing Dr. Evazan in the first film, died in December at age 87. Curtis also starred in The Elephant Man and other films, but you’ll remember him as the disfigured guy in the Mos Eisley bar who tells Luke he has a death sentence in 12 systems. Of course, he has a whole backstory in the novels.

• Rapper Fredo Santana, too goddamn young at 27. Born Derrick Coleman, apparently he was hospitalized for liver and kidney problems and died of a seizure.

 

Trailer Park

Red Sparrow has an interesting cast, starring Jennifer Lawrence and Jeremy Irons. I liked this movie when it was called Point of No Return/La Femme Nikita, so I’d give it another shot. (Seriously, it is almost literally the same plot, but I give them credit for not immediately opting as a “reboot.” Probably because it’s based on a book…)

• Speaking of reboots, we are restarting Tomb Raider next. It looks fairly paint-by-numbers, but you should never underestimate the willingness of gamers to watch a woman in a tank top in the jungle. I’ll give her this: Alicia Vikander has actual musculature and appears to be doing plenty of fisticuffs. I’m always in favor of more women action heroes.• There’s plenty of speculation about Dundee, a trailer that dropped out of nowhere ostensibly surrounding the New York-raised American son of Crocodile Dundee in search of his dad in the outback. The teaser is goofy-stupid, leading many to believe it’s a hoax. But it came from Rimfire Films, which produced the first two Dundee films. There are thoughts that they’re warming up to a Super Bowl thing, which can only be an improvement over this teaser.

• I’m intrigued by the sneak peek at Marvel’s Cloak and Dagger. Never read the comics, but the leads have charm, and so far Marvel has done all right with TV shows not based on Iron Walking Privilege. Check it out.

• She isn’t singing with an adorable crab this time: Siren reforms the traditional mermaid into something a little more dangerous. I wouldn’t mind making it a film, but a TV series? There isn’t much to the trailer, but check it out anyway.


Monday-ish Linkspam

No, I’m not getting into The Last Jedi. Nope, not at all.

Why should I, when everyone else has done so already? And better than I could.

So I’m not going to talk about it. Yet.

Joeheller1
Cartoon by Joe Heller

• It’s Golden Globes time! The 75th Golden Globe Awards have an interesting lineup, including movies that haven’t come out yet. Drama nominees include Call Me By Your Name, Dunkirk, The Post, The Shape of Water and Three Billboards Outside Ebbing, Missouri. The musical/comedy nominees include The Disaster Artist, Get Out, The Greatest Showman, Lady Bird and I, Tonya.

Yeah, notice that? Get Out is a comedy now. Um, did they watch it? Horror, maybe. Biting social commentary disguised as a thriller? Definitely. Comedy? They were not watching the same movie as I. At least Daniel Kaluuya is nominated for his performance, although he’s up against Steve Carell, James Franco and Hugh Jackman, who are all better known and in actual comedies/musicals. I’ve rarely seen such a genre/film mismatch, and it’s well-known that director Jordan Peele (who was NOT nominated) has made his opinion clear.

Ridley Scott is nominated for All the Money in The World, which hasn’t come out yet and is controversial since Kevin Spacey was replaced at the last minute by Christopher Plummer due to accusations of sexual assault. House of Cards is notably absent from the nomination list for television.

Guillermo del Toro is nominated for The Shape of Water, which just came out. Martin McDonaugh is nominated for Three Billboards, which just came out. Steven Spielberg is nominated for The Post, which we won’t see here until Jan. 12. Christopher Nolan is nominated for Dunkirk, which is the sole not-December movie on the list.

On the TV side: no surprises. Dramas include The Crown, The Handmaid’s Tale, This is Us, Stranger Things and Game of Thrones. Comedies include black-ish, The Marvelous Mrs. Maisel, Master of None, SMILF and Will & Grace.

If you’re keeping count, The Shape of Water has the most nominations with seven, while The Post and Three Billboards have six. Read the full list here.

• Stephen Sondheim will receive the 2017 St. Louis Literary Award, the first musical lyricist to be named since the award’s inception in 1967. The West Side Story lyricist and composer won the Pulitzer Prize for Drama in 1985 and the Presidential Medal of Freedom in 2015. He is currently working on a new play titled Bunuel.

• Nominations for the Dragon Award are now open! Deadline is July 20, 2018; publication date is July 1, 2017 to June 30, 2018. (Sadly, that knocks out my Moonlight Sonata, because nobody loves me… SNIFF.) Go nominate the best book you’ve read this year. Awards make authors happy and tell readers to buy our shit. These are good things.

• Proving once again that Chris Evans actually IS Captain America, the actor invited the Tennessee boy whose tearful anti-bullying vid has gone viral to attend the Avengers premiere with his mom. If you haven’t seen it, the kid from Knoxville has milk poured on his head and called ugly because he has head scars - from a tumor operation. Among the heroes - which apparently does not include the school staff ignoring such vicious cruelty - is Mark Hammill, who reached out to the boy along with Mark Ruffalo, Millie Bobby Brown, Greg Grunberg and others. Everyone from Donna Murphy to Ed Asner to Idina Menzel.

(And then it went wide that the kid’s mom is a screaming racist based on her Instagram account, only THEN it turned out that Instagram was a fake account operated by a teenager who thought it would be hilarious to paint the kid’s mom as a horrible racist and people who ran with that are now having to retract it except it’s too late and this is why we can’t have nice things.)

• You thought it was just internet trolling when you heard about the Disney World gondolas, didn’t you? Nope! It’s true. The Disney Skyliner will connect theme parks and hotels through the skies of Orlando, with Caribbean Beach Resort as the hub. There will be stations at Pop Century, Art of Animation and Hollywood Studios, as well as the much-preferred International Gateway at Epcot. Launch date is as yet unknown. I personally can’t wait, although the height-phobic may have concerns…

 

Trailer Park

• Certainly the new trailer for Ready Player One has people in a tizzy. I will confess some reservations about this film: while The Matrix showed us that a fantasy life taken to extremes leads to the degradation of human intellect and evolution, Ready Player One’s first trailer seemed to posit that when real life sucks, just escape into videogames and everything will be cool because it has a lot of nifty 80s nostalgia. This trailer shows a bit more Hunger Games-style rebellion - bread and circuses is as old as the Roman Empire, after all, with the Oasis standing in for the part of the circuses, of course. Is this movie about people tired of being mistreated and living in squalor, pacified only by a fantasy life? Or is it about a nifty videogame that is their only escape and their efforts to save it? Um.

• Natalie Portman stars in the SF action film Annihilation, which seems to create a Del Toro-like world inside our world and she must science it to save her husband. I think. Looks nifty, with bonus points for multiple women characters who actually speak to each other. When a movie passes Bechdel in the freaking trailer, I pay attention. 

Jessica Jones is back! Look, I was a fan from Alias days, and even suffered through The Pulse until it died a merciful death. Now the queen of snark is back, with apparently a new fella, all new bad habits, and smashing people into glass. As one does.

• Hoo boy. The 15:17 to Paris is a Clint Eastwood film about the three Americans who stopped a terrorist attack on a French train in 2015. Starring those actual three guys. Um. Look, heroes and soldiers don’t necessarily make good actors. Take it from one who went through years of theatrical training to discover that not everyone has the gift. Also: Eastwood is not exactly the lightest touch with controversial topics, so I’m not expecting a nuanced vision here.


Thursday-ish Linkspam

We’re back! It was a long vacation, but I thought of all of you quite often as I basked in the Florida sunshine… no, I didn’t. I’m totally lying.

I would like to give you the highlights in CultureGeek news while I was away, but I hear the voice of Inigo in my head: “No, there is too much. Let me sum up.” So here’s the Inigo version:

 

Happy 62nd Birthday Disneyland! I was in the Florida version when this happened, but it’s still nifty. Disney Avenue has images from Disneyland’s opening day; if I remember childhood stories correctly, my father was there.

• I now get to name-drop my friend and fellow author Bryan Smith, whose star is on the rise as the grindhouse-pulp film 68 Kill based on his novel gains traction. Check out the trailer here on IFC Midnight, as it hits select theaters and On Demand Aug. 4.

RIP to Martin Landau, best known to me from his amazing, Oscar-winning performance as Bela Lugosi in Ed Wood; and, of course, to George Romero, father of the zombie subgenre, whom I had the good fortune to meet briefly in my own book tours.

And of course RIP to Chester Bennington of Linkin Park, who apparently committed suicide this week.

Brian Keene’s The Rising is probably the most influential zombie novel of the modern era, kickstarting reinvestment in the subgenre from its publication in 2003. What, you’ve read it? No, you haven’t. Because the author’s preferred edition includes about 30,000 words of additional scenes cut out of the original, now restored and can be yours for 99c. Limited time only. No, I’m not paid for the plug; I don’t even get a cut if you click through since I haven’t figured out how to make that work yet. It’s just that good. Be prepared to need a quick purchase of the sequel approximately 0.5 seconds after you finish the first one.

• Speaking of zombies, Robert Kirkman has decided to work toward the final chapter for the Grimes Gang - at least for the Walking Dead comic, if not the series. No one knows how Rick’s gonna die - I mean, how it’s all going to end.

The Emmy noms were announced, with big traction for The Handmaid’s Tale: I Keep Meaning To Watch That. Other noms went to The Crown, Stranger Things, House of Cards, This is Us, Westworld, Black-ish, Atlanta, and of course Saturday Night Live. I have been instructed that I am required to watch Westworld posthaste, but alas, it is on HBO and I’m just a poor working blogger.

• After decades playing Kermit the Frog, Muppeteer Steve Whitmire was fired by Muppets Studio. Plenty of folks immediately leaped on “principled artist crushed by evil Disney megacorp,” and at first both sides were being cagey about the reasons. Finally, Whitmire wrote on his personal blog that he was “the last samurai” keeping the Henson legacy afloat. According to others, he apparently has been demanding pay increases, first-class flights to and from home in Atlanta, a salary for his wife, etc. Brian Henson himself said he is in favor of handing the green felt over to new Muppeteer Matt Vogel. Read this bit from io9; it has some rough info about Whitmire blackballing young puppeteers and some harsh criticism from the Henson family. At the same time, fans feel like Disney both saved the Muppets by buying them, but without turning out quality entertainment - mostly repackaging and merchandising classic Muppets. (We shall not speak of the TV show that died under the weight of its own absurd premise.)

D23 was last weekend, and while this might once have been a convention just for devout wearers of mouse ears, now it foretells everything from the MCU to Star Wars, so people pay attention. Slashfilm has a good rundown of what’s coming from the Mouse, including Pixar films Coco, Incredibles 2, Toy Story 4; Disney animated films Wreck-it Ralph 2 and Frozen 2/Olaf’s Frozen Adventure; live-action films like Lion King, Aladdin, Mary Poppins Returns, A Wrinkle in Time, Dumbo, Nutcracker and the Four Realms; and yeah, a little sci-fi sequel called Star Wars: The Last Jedi. With bonus Infinity War, Thor: Ragnarok, Black Panther… yeah. They’re busy.

Meanwhile, the theme parks will see some major changes. I could write a whole column about what’s good and bad in the upcoming alterations for Disney World and Disneyland, and since I was just there, I may as well write it. Tune in later. Extra notice for Star Wars: Galaxy’s Edge (yay!) and the demise of the Great Movie Ride (boo!)

• Oh yeah, and they named the next Doctor. You might have heard something about it.

Doc

 

Trailer Park:

• New trailer for Blade Runner 2049, now with even more weird visuals and even less plot. Just like the original! Don’t hate, I plan to watch it again before th new one and see if somehow I missed what makes everyone love it in my first three viewings.

• New trailer for Wind River, the thriller with Elizabeth Olsen as a rookie FBI agent teaming up with rugged Jeremy Renner to investigate a murder on a Native American reservation.

• New, more action-y trailer for The Dark Tower. Confession: I read the first DT book when I was younger, and found it deadly dull. But everyone loves the series so much that I keep meaning to go back and try again. The trailers for this movie are definitely pushing me in that direction.

 

Didn’t more stuff happen? Yes. It was a long vacation. And SDCC is rolling in California, so be prepared for lots of nonsense on Monday. Stay cool!


Thursday Linkspam

• A bunch of Disney flicks got their release dates, including a pushback for Indiana Jones 5: The Apology. Star Wars: The Last Jedi is a December release this year, just as Force Awakens was, but the as-yet untitled Episode IX will be a May 2019 release, rather than sticking with the Christmas plan. That’s probably because Frozen 2 comes out that Christmas, and Disney doesn’t like to fight itself. (Please, Disney. We’re gonna go see both anyway. You have us.)

James Cameron’s Avatar 2 will come out in December 2020, with three more movies slated for 2021, 2024 and 2025. Somewhere in there he hopefully hired a screenwriter. In the meantime, Indiana 5 is moved from July 2019 to July 2020, just in time for poor Harrison Ford to turn 80. Also in 2019: the Lion King remake, Toy Story 4 and Avengers: Infinity War Part II, so just sign your soul over to Disney now. (They’ve had mine for years… crunchy.)

• Tor.com is offering a neat incentive to sign up for their eBook of the Month Club: A free ebook of John Scalzi’s Old Man’s War. The club is free, and you get a free book every month. So far I see no downside!

• Tracy K. Smith is the new poet laureate of the United States, the highest honor held by poets in the nation. Smith has 30 years of poetry publications and a Pulitzer Prize. She plans to be a “literary evangelist,’ taking poetry to places “where literary festivals don’t always go.” She is also director of the creative writing program at Princeton University.

The Dining Room was one of my favorite plays back when I was a struggling actress in Memphis. The playwright, A.R. Gurney, was a finalist for the Pulitzer for that one and two others - I always wanted to see Love Letters become a movie. Yes, he wrote about upper-class WASPs, because he wrote what he knew - but he told it with truth. Sadly, Gurney passed away this week. The stage lights are a little dimmer for his loss.

• RIP to one of the more famous bookstores in the country. Berkeley science fiction bookstore Dark Carnival will close its doors soon, and has launched its going-out-of-business sale.

• Variety has some theories about The Mummy’s troubles, and they start with two words: Tom Cruise. Not that he’s a bad actor (he’s not) or that the film was a bad idea (more debatable), but that he had a personal control over nearly everything from script to marketing. “There were differences of opinions about whether Cruise’s directions were improving a picture that had been troubled from its inception or whether they were turning a horror film into a Cruise informercial.” It has not yet been viewed here at CultureGeek Towers, so I’ll let you know…

The-mummy
Wait... sorry. This is the fun one. My mistake.

• In the Cool Stuff category, a photographer picked up a 1938 camera at Goodwill that still had a roll of undeveloped film inside. She had them developed, and found images of the 1980 explosion of Mt. St. Helens.

• Trailer Park: Goodbye Christopher Robin is a biopic of A.A. Milne and his young son who inspired the books of Winnie the Pooh. Flatliners gets a remake, which will have a long way to go before it matches the creepy-dark fun of the original. A documentary titled Nobody Speak examines the attacks on the press over the last few years, and hits Netflix in a week.

• For a little silliness, check out the trash-talking Twitter battle between Sue the T.rex at the Chicago Field Museum and the Merriam-Webster dictionary. I can’t make this stuff up.

 

On the local scene…

• Dunaway Books on Grand Boulevard will host “An Evening of Wine and Poetry” featuring local writers like Grace McGinnis, Hart L’Ecuyer and RC Patterson for a series of readings beginning at 8 p.m. Sunday. Admission is free.

• The Glen Carbon Public Library will host “Writing Your Breakout Book” at 6:30 p.m. Monday, June 19, presented by Rod Deutschmann of Outreach SIUE. Click the link to register.

• Insight Theater Company has opened its season with Next to Normal, a powerful and intense rock musical I was lucky enough to see several years ago at the Fox. Warning: This is very intense, dealing with mental illness and its impact on the family.

• River Styx Literary Magazine will host “Books & Brews* at Urban Chestnut on Manchester at 6 p.m. July 10. Readings from the authors, first glimpse at issue 98, and the first beer is free - sorta. Admission is $15.

• The St. Louis Women’s Artisan Pop Up Shop will take place Saturday, July 29 at Lemon Gem Kitchen Goods on Manchester. It will host women-owned small businesses with dozens of nifty vendors.

• Enjoying The Handmaid’s Tale? Meet author Margaret Atwood when she accepts the 2017 St. Louis Literary Award, to be presented by the St. Louis University Library Associates at 7 p.m. Tuesday, Sept. 19 at Sheldon Concert Hall on Washington Boulevard.

Have a good weekend!


Monday Linkspam

Welcome to a mega-edition of CultureGeek Linkspam, since we took Memorial Day-Week off. What? There were brats to grill.

• Apple Computer held its WWDC keynote today, announcing a number of fun stuff. Among them: Amazon Prime finally comes to Apple TV; the older iMac model gets a boost and they premiered a new iMac Pro; the HomePod; software updates…. oh, just read it.

• A review of Wonder Woman is pending after a rewatch. In the meantime, it’s a clear hit, with more than $100 million domestic and another $125+ million foreign in the first weekend alone. Critics like it too. It’s the biggest opening for a female director ever, and I take some special notice that the record it obliterated belonged to Fifty Shades of Grey. Heh. Actual athletes were recruited to play the Amazons, including Crossfit champions, cyclists, equestriennes and professional fighters. Tor.com’s Keith DeCandido looks back at Lynda Carter as role model. Indian Country Today celebrates an actual Native American actor speaking actual Blackfoot to Wonder Woman in the film. And of course there is a sequel already planned: in America. I’d ask y’all to name her potential villain(s), but maybe we shouldn’t go there… Texts From Superheroes says hello to WW, and Thor admits Wonder Woman would kick his ass. (P.S. Check out this vision of Mr. Rogers wielding Thor’s hammer. No, seriously.)

• Since everything old is new again, Steven Spielberg’s production company is reviving the Animaniacs. This is good news if you were a fan; I was not, but I did not have the outright dislike of the show as I did, say, Rugrats. The article does point out that shows as old as Full House were quite popular in resurrection, and now we are seeing Will & Grace and Roseanne return, among others. Yes, Hollywood has run out of ideas, but zombie series of good work is still better than *shudder* reality TV.

• Speaking of the return of the ‘90s, Zima is back. For a limited time only. Yikes.

• In commemoration of the new Pirates of the Caribbean movie (which CultureGeek Jr. gave enormous applause and the critics… disagree), check out the pictures and radio commercial of the 1967 launch of the Disneyland ride. Yo ho yo ho…. Yes, your friendly neighborhood CultureGeek has seen it and a review is pending. Y’all, it’s summer. Things be busy.

• Cancel your plans for the weekend, because Orange is the New Black launches its next season after the trauma-inducing finale of last season. ScreenRant’s awesome Lauren Wethers details 15 OITNB characters you (and the writers) completely forgot.

• The story of the demise of Booksellers at Laurelwood, one of those marvelous anchor bookstores in Memphis, and how the phoenix is rising from the ashes. On the flip side, the New Yorker believes that Amazon’s brick-and-mortar bookstores “are not built for people who actually read.” Apparently they’re like the world’s biggest airport bookstores: the same titles you’ll see in every bookstore. Only 200 titles in fiction, 3,000 in the whole store. The charity sale my church runs on a quarterly basis has a wider selection than the most comprehensive bookseller in the nation.

• Speaking of books, learn the true stories behind The Mixed-Up Files of Mrs. Basil E. Frankweiler. Raise your hand if you loved that book, dreamed of running away to live in a museum and embarked on a lifelong fascination with the works of Michelangelo. Just me? I was also quite fond of Elain Konigsburg’s debut novel, Jennifer, Hecate, Macbeth, William McKinley, and Me, Elizabeth.

• Ever wonder what they put in the recording in Voyager I? Other than, “Hello Borg: Please Come Assimilate Us”? Find out here, as Carl Sagan’s team unpacked the whole of human history and culture.

• Locals: LouFest has added Snoop Dogg among others to its lineup. As I scan the list, I recognize Huey Lewis & The News and that’s it, because I am desperately uncool and old. However, they are celebrating Chuck Berry, which is awesome.

• Nerds of Color’s Denny Upkins reviews why Cassandra Cain is really Batman 2.0. Check out the many heroes of Gotham City…

• And in case you missed them, Annie Leibovitz did amazing portraits of the characters of The Last Jedi for a spread in Vanity Fair. I’m not sure how she does what she does, but I may spend a lifetime trying to learn it. Kathleen Kennedy says of Carrie Fisher: “Harrison (Ford) was front and center on VII, and Mark (Hamill) is front and center on VIII. She thought IX would be her movie. And it would have been.” Sniffle.


Monday Linkspam

I’m going to assume that it was MY column last week that convinced NBC to un-cancel Timeless. (Hilariously, showrunner Eric Kripke and star Matt Lanter both announced the change as if they went back in time and changed NBC’s minds. Hee.) I clearly have a very powerful voice in Hollywood, see? Deadline says NBC has been playing hardball with all of its series that are produced outside the network, including Blindspot and Taken. Both were renewed, but Sony and NBC were wrangling on the split of profits for Timeless and couldn't come to an agreement. But the cancellation announcement led to loud screams from the internet, and Sony was trying to find a streaming home, and NBC flipped a coin and said, “Okay, you get ten more episodes.” Writers: Bring it.

• In the category of CultureGeek Does Not Understand Fashion, Balenciaga is making a purse that looks like the IKEA bags, which amused IKEA no end. Balenciaga, of course, is one of those fancy-schmancy fashion companies that makes things I could never afford and often wouldn’t want. I do want IKEA bags, because they’re awesome. I have several. Mine cost 99 cents. Balenciaga’s cost $2,145. Did you know there’s a whole DIY subculture of making things from IKEA bags? I love that IKEA is all, “Go to it! We think it’s creatively awesome!”

• Bill Mantlo created Rocket Raccoon, and for 25 years he has lived in a nursing home after he was brain-damaged in a hit-and-run accident. Before the first Guardians film, fans apparently were campaigning to raise money for his treatment, and Marvel has negotiated a new compensation package that will allow Mantlo to move out of the nursing home and into a house next door to his brother.

• Ouch. King Arthur is the first box-office bomb of the summer, making only $14.7 million on its $175 million budget. Variety says King Arthur “may just want to put that sword back where he found it and pretend this never happened.” You know, I like Guy Ritchie most of the time, but that trailer pretty much drubbed everything anyone likes about the Camelot story and made it into Fast and Furious: Medieval Style. Yawn. Charlie Hunnam is far too talented an actor to try to build his movie career on playing Jax Teller in various settings, and I wish he’d cut it out.

GeekDad takes aim at Barnes & Noble for its recent decision to mix new titles into their categories and turn all books spine-out. And I’m right there with him. Spine-out already is the worst sale position for a book; I once saw my books displayed at Dragoncon spine-out on the bottom shelf next to the register. Guess what? Didn’t sell a single book from that retailer. People have to really be looking to find your book if they can’t even see the cover. And as GeekDad points out, the big New Releases table is much too full of the latest political tripe or celebrity memoir or fad diet or yet another ghostwritten “James Patterson” thriller; you rarely see science fiction or horror on that table, and NEVER small press. Hell, we small press folk would be lucky to be spine-out on a bottom shelf to be ignored by the big boys. I like Buns & Noodles - hell, I like almost every bookstore. But the more they get taken over by toys we can get cheaper almost anywhere and endless piles of novelty gift thingies for when you really don’t know the person you’re buying for at all, and the more they do away with horror sections altogether and mix in our books with regular fiction (or fantasy - what?), the more we drift toward “a certain online retailer” because at least there you can find what you want. Do better! We want you to hang around.

• An excellent explanation for why the upcoming Wonder Woman movie is set in World War I instead of letting her punch Nazis. Of course, one could assume that Captain America’s running battle against Nazis past and present in the Marvel Universe might mean something as well, but then we’d have to talk about the current Cap storyline in the comics which doesn’t exist as far as CultureGeek is concerned so cram it, Marvel. In the meantime, I am simply hoping Wonder Woman does spectacularly well at the box office. We have all been chanting please don’t suck please don’t suck, but frankly, I don’t even care as much if it DOES suck, as long as it makes a boatload of money. In Hollywood, action movies with male stars can tank left right and center, and they will blame everything except “it had a male star.” That would be silly, right? But if a movie with a female star tanks a la Catwoman or Elektra, it tanked because it was a female headliner, and that’s the end of the story. If Wonder Woman tanks, it’ll be another 20 years before we get a superhero film with a female lead. So do us all a favor and go see it even if it sucks, okay?

• Also in comics, the new Doomsday Clock miniseries will allow Superman and Doctor Manhattan to meet. That sound you hear is Alan Moore’s head spinning around and possibly exploding. Also, Doomsday Clock will have no tie-ins, no offshoots, totally standalone… holy Hera, I might actually buy this.

• Finally, Disney bids farewell to “Wishes,” its long-running nighttime show at the Magic Kingdom. After 14 years, it’s being replaced with a new show that better not suck, because people are nuts for Wishes. Here, see the final show one more time.


Monday Linkspam

The new Wonder Woman trailer has dropped. I liked the previous one better, but at least we’re seeing new motion on the movie with only a few weeks to go. This trailer was obviously geared at the super-action fans, heavy on the explosions and fisticuffs. As I’ve said before, I don’t even care if it sucks, as long as it makes money. Because if it doesn’t absolutely blow all the records out, if it’s even slightly less than perfect at the box office, we won’t get another female-centered superhero film for another 20 years.

Book Riot says what the rest of us are thinking about Marvel’s idiotic, disastrous “Cap is Hydra” timeline that everyone hates and P.S. no one is buying.

• In the You’ll Never See This Much Cool Again category, see Star Trek authors Kevin Dilmore, Dayton Ward, Glenn Hauman, Robert Greenberger, Michael Jan Freidman, William Leisner, David Mack, Scott Pearson, Dave Galanter, Aaron Rosenberg and Keith DeCandido all in one place: the bridge of the USS Enterprise. All they were missing was Peter David!

• Oh, hello new IT trailer. Good thing I wasn’t sleeping tonight.

• And speaking of trailers, the Defenders trailer means that I’m going to have to watch the ones that aren’t Jessica Jones now. Dangit.

• Black Nerd Problems analyzes race in the new American Gods series based on the novel by Neil Gaiman. “After all, the black man in America knows sacrifice, doesn’t he? Part of the brilliance of Gaiman’s novel is exactly what he chooses to mythologize in his story of America; yes, there are gods, but the real mythological landscape is America itself, and an outdated form of American nostalgia.”

• The really excellent and terribly misnamed Edge of Tomorrow will actually get a sequel in defiance of Hollywood physics. Unfortunately Tom Cruise will be back - don’t get me wrong, Cruise is fun and all, but Emily Blunt is the real heroine of that story and Cruise’s fame tends to blot out everything else.  At least Blunt will be back, so maybe they’ll let her be awesome without standing in the big star’s shadow this time.

• And finally, a Random Useless Fact: Jerry Orbach of Beauty and the Beast and Law & Order fame was an uncredited extra in 1955’s Guys and Dolls even though he had a whole singing line to himself. He’s the guy in the barbershop who first sings out, “Why, it’s good old reliable Nathan, Nathan Nathan Nathan Detroit!” Once you’re looking for him and listening for his baritone, it’s clear as a bell. Of course, he went on to be nominated for a Tony for Guys and Dolls in the 1965 revival and originated the best song in The Fantasticks, along with his roles in the aforementioned movies, tons of Broadway, and of course Dirty Dancing, among others.